Box of Treasures - Canvas Series
Description:
Giclée
Edition 10
Primary: Available
A/P: Available
24 x 48"
For thousands of years, the people of the Northwest Coast stored their belongings in bentwood boxes. Meant to safeguard their inner contents, the main body of these boxes was made from a single plank of cedar wood. It was incised with kerfs and then steamed and bent to form the four sides of the vessel. By adding a tight fitting bottom, the box could easily be made watertight. Through the submersion of red-hot rocks, water could even be brought to a boil and used as a cooking vessel.
While many boxes were used for such utilitarian means of storing goods or for cooking food, the most prized boxes were decorated with intricate paintings and carved details. These were reserved for the storage of a house’s most prized possessions. These often included spectacular weavings, masterful carvings and precious heirlooms. In most cases, these fell under the purview of the chiefs in the village. This type of box came to be known as his “box of treasures.” Eventually, the term also came to be applied in a metaphorical sense, as well, such that all of a chief’s ceremonial prerogatives and privileges were known as his “box of treasures.”
Over the course of time, many of the ceremonial boxes on the coast came to reflect a common form with a similar layout. My Tlingit ancestors called the creature on this type of box “Gonakadeit”. It is said that this creature was in many ways a benevolent sea monster who provided all the wealth to the peoples. Gonakadeit was characterized by having a large human-like head, and whale-like parts. Since these boxes were traded extensively up and down the coast, it is believed that this crest—with its markers of wealth and abundance—was a perfect one for any chief’s greatest possessions.
“Box of Treasures: South by Northwest (Phase I)” is a limited edition print using the giclée method of printmaking. This print was released in August of 2017 and printed by Andy Everson at the artist’s own studio in Comox B.C. A total of 12 prints bear the title “Box of Treasures: South by Northwest (Phase I)” and are signed by Andy Everson: 10 in the primary edition bearing the numbers 1/10 through 10/10; 1 Artist’s Proof; and 1 Printer’s Proof. The finished stretched canvas measures about 24x48x1.5 inches. It comes with a beautiful black frame.
Canvas Editions: Please allow up to 3 - 4 weeks production time before shipping for this item.
FAQ
Where do you ship to?
We ship from Canada throughout North America and internationally. International customers are responsible for any import duties, tariffs, or customs fees charged by their country. Learn more in our full Shipping & Returns Policy
Who pays customs fees, duties, or tariffs on Totem Design House orders?
International customers may be required to pay import duties, tariffs, or customs fees based on their country’s regulations. These charges are not included in our product or shipping prices and are the customer’s responsibility upon delivery. If an order is refused due to unpaid customs fees, any refund will be issued only after the returned items are received in their original condition. Please note that return shipping costs and any loss or damage during return transit will be deducted from the refund.
Are Totem Design House products authentically Indigenous-made?
Yes. Totem Design House is proudly 100% Indigenous-owned and operated. All of our designs are created by Indigenous artists, including award-winning Northwest Coast artist Andy Everson, and the majority of our products are made in-house at our studio on K’ómoks First Nation territory. By purchasing from us, you are directly supporting Indigenous artists, cultural revitalization, and sustainable business practices.
Are Totem Design House products sustainably made and eco-friendly?
Yes. At Totem Design House, we prioritize eco-friendly materials and sustainable production practices. Whenever possible, we source organic fabrics, recycled metals, and locally produced materials. Most of our products are designed and made in-house to reduce our environmental footprint and ensure exceptional quality. Supporting Totem Design House means supporting Indigenous artists and a business that values sustainability, cultural integrity, and ethical production.
About us
Indigenous Woman-Owned
Totem Design House is a proudly Indigenous-owned and operated lifestyle brand founded by Haida and Cree entrepreneur Erin Brillon. From our studio on K’ómoks First Nation territory, we create products that blend traditional stories with modern design. Every purchase directly supports Indigenous artists, cultural revitalization, and sustainable business practices.
Guided by Indigenous Values
Totem Design House is more than a lifestyle brand — we’re a social enterprise. A portion of every purchase supports Copper Legacy Indigenous Empowerment Society, funding initiatives that uplift Indigenous communities and cultural revitalization. Through our products, we share the stories, teachings, and traditions of our ancestors, creating opportunities for education while celebrating authentic Indigenous artistry. Our work is grounded in sustainability, reciprocity, and respect for the land and culture.
About Our Artists
Our designs are created by award-winning Indigenous artists, including Andy Everson of the K’ómoks First Nation & Jesse Brillon of the Haida & Cree Nations. Each piece carries a story — celebrating our connection to the land, the ocean, and our ancestors. When you shop Totem Design House, you’re supporting real artists and helping to keep Indigenous traditions alive.